Da ragazza si sentiva sperduta in un modo speciale. Adesso, invece, si sente sperduta come chiunque altro, 2004, gres, cm 39 x 26 x 13
Other works
Ed ora tutte queste immagini andranno perdute, 2000, gres, cm 40 x 25 x 25
Memoria di niente, 2000, Print on PVC, cm 300 x 240
Work born from La Légende de Saint Julien l'Hospitalier, 1872-75 by Gustave Flaubert
"... and he wasn't thinking of anything, there was no memory of anything in him. He only knew that he was hunting in any country, for an indefinite period, in the same way he knew he existed, and it all happened with the ease of dreams. "
Secondo tentativo, Galleria Ciocca, Milano, 2000
Some figures closely linked to each other lie on the ground.
We are spectators of an action that is not explicit and that retains an aspect not yet revealed.
The feeling that binds the figures is indefinite, poised between a movement of support or defeat.
A tragic event, a dance, a game or an unsuccessful action.
Secondo tentativo, Galleria Ciocca, Milano, 2000
Some figures closely linked to each other lie on the ground.
We are spectators of an action that is not explicit and that retains an aspect not yet revealed.
The feeling that binds the figures is indefinite, poised between a movement of support or defeat.
A tragic event, a dance, a game or an unsuccessful action.
Secondo tentativo, 2000, ceramic, diam. cm 35 x 11
Vi racconto, 2009, wood, ceramic, cm 72 x 42 x 56.5, detail
In the act of looking, we are in a certain sense observed by what we look at. We modify our thinking according to the fact that infinite changes, second after second, occur during the relationship we establish with the world of things.
In this reciprocity is sought The tale of sculpture
Vi racconto, 2009, wood, ceramic, cm 72 x 42 x 56.5, detail
In the act of looking, we are in a certain sense observed by what we look at. We modify our thinking according to the fact that infinite changes, second after second, occur during the relationship we establish with the world of things.
In this reciprocity is sought The tale of sculpture
Vi racconto, 2009, wood, ceramic, cm 72 x 42 x 56.5
Dialogo tra la Natura e un islandese, 1995, installation at Steinfurter Straße 107, Münster, black painting and recorded track.
The work reflects on the relationship between the individual and the landscape, with a reference to German and Italian romanticism. The installation is made with the recording of a reading of the homonymous text by Giacomo Leopardi. Each of the two windows of a room impersonates a character (Nature and an Icelander). The environment is darkened by painting the windows black, leaving out a few holes, through which light penetrates, showing a trace of the external landscape, hidden from view.